Merrill Moore

Jerry Lee Lewis is going to pop up alot in this
blog. Sorry, he was a big influence on the Stones.
He's a touchstone for all of us. I figure if he's
still around, and Keith is still around, there's
hope for the rest of us!

One of Jerry's Lee's big influences was
Merrill Moore. Like most pianists, he started
early- at the age of 9 in Des Moines. I think the
biggest influence on Jerry Lee's playing, is Merrill's
muscular pumping playing style. All these
country and blues guys started playing in some
pretty tough juke joints, gambling joints, and
for lack of a better word, "Man-Bars".
If anyone remembers the scene in the Jerry Lee Lewis
movie where he plays behind chicken wire in a bar
for protection, that was no joke. As a result
most of these musicians learned to play "No Matter
What"! Bottles breaking, guns blasting, knives-a
knifing. It's exciting to think that at one time
people were literally playing as if their lives
depended on it.

I wish there was more available on cd from him
aside from one title, a great compilation from the
Bear Family "Boogie My Blues Away"

Here's one of hell of a cowboy...Merrill Moore.

Jerry Lee Lewis Is My Sun!

This morning I discovered my Peace Lily
bloomed. Did it face the window towards the sun? No. It faced towards
this picture of Jerry Lee Lewis. It was standing proud and tall.

In fairness to the Peace Lily, it was a cloudy rainy day.

Patsy Cline- Passes On March 5th 1963

Why Patsy Cline Matters

Today was Patsy's last day with us-
March 5, 1963 just about a decade after
we lost Hank Williams Sr.

I keep feeling compelled to listen to her
song "A Poor Man's Roses". Her vocals are so
simple, as are the lyrics (written by
Bob Hilliard and Milton De Lugg).
There's nothing so evocative as the
image of "a rich man's gold" and a "
poor man's roses" ...truly down-home
lyrics.

But I really want to talk about her
biggest hit "Crazy".
Unlike most country songs at that
time, it has a simple paired-
down orchestration.

According to Owen Bradley, the label
wanted a track for Patsy that wasn't
overtly country- something they could
sell on the pop stations, so even though
they had a 3-track set up (sophisticated at
that time) they minimized most of the other
instruments, prominently keeping the piano
of Floyd Cramer. Although Floyd was
known for his fluid slip- piano playing,
he kept it low key, for a late nite
smokey barroom, 4-in-the-morning-feel.
The emphasis is on the vocals.

Willie Nelson had written the track for
Patsy. Thank god,
Owen Bradley had loved it,
because Patsy didn't.

Maybe she thought it was too
young for her. Patsy was on her
second marriage, about to hit thirty,
and in those days, that was considered
middle aged.

The track was unusual, with a steady
chromatic rise, echoing in subtle way
the theme of "crazy love".
This wasn't your usual
A-chord D- chord progression
and there wasn't any pedal-steel.

About a month after suffering a
serious car accident, Patsy had returned
to record "Crazy". She had a hard
time singing the high notes- due
in part to injuries to her ribs, and
not being able to copy Willie Nelson's
vocals on his demo. Supposedly,
she had returned a week later, to
record the vocals in one take
completely differently.

The song would go on to be a hit
on the country and pop charts, and
go on to re-define what the
definition of a "country" song was
and could be.